Sunday, June 7, 2026

Great men

I've been reading and watching a lot lately that centers around great men and their illusions. Some of these heroes are genuinely inspiring, others just meat-headed, megalomaniacal mirages, but the idea of the great man with its many manifestations is intriguing to me. Here are some examples.

Ancient epics
    Achilles is the greatest hero of the greatest western epic. However, from the first sentence to the climax, he is expressly motivated by rage: against Agamemnon, then against Hector. The rage of Achilles is how Homer invokes his muse first and foremost. Beyond this, Achilles is mostly characterized as a runner and fighter. He's the perfect fighter; he's a demigod; he is not necessarily noble in character; in fact he may just be pretty petty. Now, it seems just about everyone in Homer's world including the gods was petty, but you can pick out dignified qualities in other characters I'm about to mention, so I'm calling Achilles a blessed fighter with a divine advantage, who is not characterized by character.
    Hector is his counterpart: the greatest warrior of Troy, who stands up to Achilles. Hector is a family man, defending his city and his people; a tremendous fighter, without divine advantage, other than the golden favor of Apollo. I like Hector quite a bit, but I can't elevate him to the upper pantheon of heroes when he's ultimately humiliated. He turns and runs from Achilles, and only stays ahead by Apollo's favor, until Athena evens the field and Achilles catches him, dragging his body behind his chariot for days.
    Aeneas is a great character. Very strong, in will and physique; smart; leaderly. I'm borrowing from both The Iliad and The Aeneid, though I realize they're separated by centuries and motives. Aeneas is the perfect commander to turn Troy into Rome. But he's defining quality is piety, which just doesn't interest me as much as other heroic qualities. Actually, I should remember Aeneas when I get around to Lancelot. Those are two world-class warriors with some tragic history and some queenly affairs who ultimately turn to piety above all else. Lancelot's son achieves the Grail, Aeneas' founds Alba Longa which is the basis for Rome.
    Ajax is too much of a basic hothead mega-warrior.
    Nestor I can't quite remember well from The Odyssey, but in general he's superb: wise, strong, a total stud when he was younger, now a leader and elder. I admire Nestor. He always knows what's right. He's just less relatable at my age.
    Zeus is the mightiest being extant, and he knows it, and he shows it. He's too godly to really admire; you have to just respect him instead.
    That brings me to the last contender for my favorite hero of the old epics, and I may have saved the best for last. Odysseus is referred to as a great soldier and mariner, always cunning and resourceful, of many stratagems. In The Odyssey he shows himself as a formidable fighter in his advanced age, and as a natural leader. I don't think "resourceful" is how I'd describe my ideal hero, but if you consider that he's brainy beside brawny, a true leader, with family values as well as classic heroic virtues, pious yet grounded, adventurous, kingly without actually being the king of all Greeks... and you wrap all of that up in Sean Bean... Odysseus is top tier for me. Sean Bean gives it a huge bias, though I haven't even seen that movie in a while... but he's hovering tentatively near the top. I don't think he'll win this whole competition, but he wins the ancient epics category.
    Achilles v Odysseus: would you rather be a 100 on fighting and 50 on everything else, or a 98 on everything including fighting... Achilles is the GOAT warrior but Odysseus is an all-around stallion

Matter of Britain
    Gawain is easiest to start with; he's strong and fierce, but a bit of a brute, at least in the renditions I read. He's from such an unlikable family in TH White. He's too clan-centric. Lancelot easily outfights him (except when he has the benefit of that spell).
    Lancelot is wonderful: so elegant and noble, effortlessly outfighting everyone on Earth. Unfortunately, he's constantly cuckholding his king, and he gets too guilt-ridden and religious. I love how he fights for England, quests for the Grail, delivers the queen so many times, decimates every opposing force, works miracles, has the magic touch. I don't love his affair and his piety.
    Arthur doesn't have much personality in my skimming of Malory, but he's lovable in White. Lancelot is a more interesting character, but Arthur is endlessly lovable. Lancelot sins continuously with Guenever, but Arthur basically never sins. He's selfless, he's the height of nobility without losing his true heart. Arthur is a top-tier hero in White.

Rome
    Julius Caesar commanded respect; he was brilliant and ferocious; but he was too self-aggrandizing, acting more and more like a god.
    Augustus was cunning, and well-rounded enough in his savviness to, unlike Julius, survive and reign for a long time. But he was too devious.
    Antony I liked a lot in my readings and viewings of the material, but I don't know his true character. I'm sure he was egotistic, nowhere near the Caesars in this list but egotistic nonetheless. I liked him because he was charismatic and somewhat loyal (the standard for loyalty in Roman politics was on the floor). But ultimately he was embarrassed by Augustus.

Middle-earth
    Boromir is high and mighty, but suffers too much from the pride and greed of Men. He redeems himself in the end, and gives a great boost to the Quest, but only after a terrible trial.
    Faramir transcends his brother's flaws, but his city and his line are dwindling, so he's only ever a secondary character. I would not mind a Boromir/Faramir spinoff, as I love them both.
    Theoden is a good king, but he's too simple. Rohan itself is simple: horses and huts. The roots don't go very deep, the tree doesn't grow very high. Just picture Edoras vs Minas Tirith, and understand the cultures in the same way. Theoden is a bit proud and simple.
    Aragorn is one of the best on this whole list. He's an expert warrior, an expert tracker and traveler, pure-hearted, beautiful, a born leader. I like that he's indecisive at the breaking of the fellowship; it annoys me when manly characters are too decisive, as though they don't actually have brains. Aragorn is a full human, though his lineage is blessed almost to the point of demi-divinity. He serves the Quest with all he has, becoming an invaluable friend to Gandalf and Frodo (two of the worthiest characters I can think of, in any medium -- worthier than Aragorn himself, though they don't fit the "great man" mold so well).
    Gandalf is sort of a great male hero, though he's hardly male. He's probably my favorite character in Tolkien, and therefore one of my favorite characters period. He isn't a classic hero though... he's somewhere between Merlin, who assists Arthur, and Arthur or Lancelot. He does great deeds, his purpose isn't just to set up another... but he really is a servant at the end of the day.

Westeros
    Ned
    Jon
    Jaime
    Robb
    Barristan
    Robert
    Stannis
    There's gotta be a Targaryen somewhere down the line, before GoT, who's a dead ringer for this list. Also an older Stark.
    Jorah
    Hound

Wizarding world
    Dumbledore. I need more backstory though. He's critical in Harry Potter but he's coming off the bench. It's not his story; he is to Harry as Merlin is to Arthur. I have a feeling, if I got more of his story, he'd rise pretty high.

James Bond



Other ideas
    Garibaldi: I don't know enough about him, but he was a cool figure: a revolutionary, a good soldier and a great leader, who was so awesome that they had to call him back from retirement to do it all over again in his old age
    Napoleon: too short, too egomaniacal, too humiliated, but a legendary commander
    Christ
    Moses
    King David
    Bourne: classic ubermensch from my childhood, but wouldn't make it far on the list
    Charlemagne
    Constantine
    Alexander: I've heard talk that he was gay. I wonder what his personality and presence were like? On paper, he's a god: student of Aristotle, conquerer of the west
    Fairfax Rochester: nowhere near most of these in heroism, but he's a guy you can model yourself after
    Superman
    Batman
    Insert superhero here, though the two above would be my choices
    Paul Atreides: great idea
    Maximus
    Saint Paul
    Leonardo
    Something from the Matter of France
    Beowulf
    Some other emperor or king I don't know much about? Genghis?
    Buddha
    Che
    Jean Valjean
    Bilbo
    Frodo
    Samwise
    Reconsider Hector - I didn't give him enough credit. He's the biggest loser of antiquity, but arguably its noblest hero as well
    Socrates
    Modern heroes I wouldn't personally elevate in the same way as the rest: Rocky Balboa, Jason Statham-types, Jack Ryan, Jack Bauer, John McClane, Michael Jordan, Muhammed Ali, Malcolm X, Abe Lincoln, Tom Brady, George Washington, Churchill, Ulysses Grant (actually if I had the time I'd read that biography and maybe he'd be a candidate)
    Jack Shephard
    Steve Jobs haha. Just trying to keep an open mind.
    Daddy lol
    Galileo, Newton
    William Wallace: okay, this was a great addition by Lovable as a prefill for the bracket front end. I didn't even ask for prefills!

Here's one way to depict it. One from each camp: antiquity (Odysseus), modern(ish) history(ish) (Arthur), and my two pillars of idealized life that I just can't exclude (GoT and LotR). It hurts not to see Jon up there though.

Friday, June 5, 2026

Crazy, Stupid, Love

This was better than I remembered. There's a lot of fabulous writing here, from the fun dialogue to the crafty plotting. It's a super fun idea. Where they fail is when they get excessively romanticized, like the ridiculous graduation speech, and other cheesinesses throughout. It's all over the top, and sometimes it works perfectly, while other times it feels very stupid. There's a decent amount of cringe, like The Office -- the trouble is when the cringe transcends the fictional world and you actually start cringing that the writers really went there. That's what happened at the end for me; I was no longer just cringing at Steve Carell -- I'm used to that -- I was cringing at the ridiculous writing. The ending was pretty disappointing, particularly the graduation thing. That alone docks at least a half star from the movie's rating. Most of the excessively romantic stuff was bearable though, and I was pretty impressed with the movie all around. There was a plot twist I really did not anticipate, even though I think I saw the movie around the time it came out? Unless I've just seen the first half multiple times?

Steve Carell is perfect. Julianne Moore is great for the role, though it's hard for me not to see her as the enemy the whole time. Between this, Still Alice, and Magnolia, she really plays this certain type of woman super well -- and that woman is not my type, so it's hard for me to root too much for her, but she plays it superbly. I don't mean "type" just in terms of attraction, but in terms of empathy. She's so put together that she's falling apart. Ryan Gosling and Emma Stone do their jobs well, though Emma Stone's aura is confusing.

Saturday, May 2, 2026

American History X

I was engaged the whole way through, though I'm not convinced this movie was right in the head. Its white supremacist arguments were too refined, and its lesson was too muddy.

It set up an interesting dichotomy of explicitly arguing for white supremacy in the dialogue, while experientially arguing against it. I assume the point was that the actions speak louder than the words; that the anti-racist arguments conveyed through dramatic storytelling overpower Norton's racist barking. The trouble is, for people who are analytical or not very empathetic, like me and probably most white supremacists as well, the words speak louder than the actions, at least in this movie. In other words, this movie has better arguments for white supremacy than against it, in my mind. So what's the point of the movie?

Sure, bad things happen to the white supremacist in the movie. But bad things happened to Jesus, and that didn't scare anyone away from Christianity. In fact, it probably scared negative 1 trillion people away, so far. So is Derek a martyr for a noble cause? Or are we supposed to take his eventual misfortune as karma for his sick values? I don't think it's clear. I mean I know what I think, but I don't think the movie is clear enough to shield against slightly racist people actually getting more racist when they watch it. Sometimes words speak louder than actions. Think about how people cling to specific Bible verses more than the spirit of Jesus' actions. Or how one poorly written tweet can ruin a career otherwise defined by upright action. This movie dwells on Derek's propaganda, and tries to do a good job of conveying what his arguments really would be. And it does a good job. His arguments are probably better than his opposers'. He's also a sick bastard, but that doesn't tend to stop anyone from gaining a following, if they're persuasive enough, and Derek is persuasive. I don't believe his arguments, but I don't see why the movie had to make them so persuasive anyway.

Also, are we supposed to feel sorry for him in the end? Sympathy for the devil? It kind of seems like it, but why would the movie do that? Also, what turns the white supremacist around -- getting raped and also meeting a fun black guy? Is that realistic? I don't think so; he's too gentle with Lamont from the start, based on how his character acts up to that point; and the "rock bottom" shower scene isn't rock bottom enough to actually bottom out his racism. I don't buy it -- I think the movie sketches an arc of redemption and karma but doesn't really sell it.

That said, I liked the movie. Solid entertainment.

Tuesday, April 21, 2026

Superman (2025)

Antidirectional to the Pattinson Batman initiative, this DC outing seems to be even sillier than Marvel. I only watched about half of it, but the tone was so airy that I couldn't feel anything. Interestingly, that's the same and opposite problem I had with The Batman, which was so bleak that I couldn't feel anything. Superman is so colorful that no one is human and I don't care, The Batman is so gray that everyone is doomed, thus I don't care. Why is DC doing such opposite things at the same time? Aren't we all trying to unify brands these days, creating branded universes so we can incessantly force-feed the same old stuff to the masses? I'm confused about DC's identity; maybe they are too.

Of course, despite all of this, part of me wants to finish the movie. I doubt I will though -- it's so empty for me.

Wednesday, April 15, 2026

Kanye Last Song Standing

The plan is to do a Last Song Standing episode, in the spirit of the Dissect podcast, with Lucas in which we nominate Kanye songs from various albums, put them in a March Madness-style bracket, and find the last song standing. Here's my documentation of my nomination process.

4/4/26: College Dropout
We Don't Care (5)
All Falls Down
Spaceship
Jesus Walks (2)
Never Let Me Down
Get Em High
The New Workout Plan (4)
Slow Jamz
Breathe In Breathe Out
School Spirit
Two Words
Through the Wire (1)
Family Business (3)
Last Call (6)

If I had to pick today, I'd kill New Workout Plan and Last Call. The former is surprisingly fun, the latter was an old favorite of mine, but neither shines brightly enough. Family Business is a personal one for me, so it's tempting to kill. We Don't Care was never a highlight for me personally, but it stands taller than something personal like Family Business. I'd have to sort through the influence of Jesus Walks and try to map the quality. I never liked Through the Wire when I was growing up, but now I feel like it's so iconic that he's rapping through the wire; "they can't stop me from rapping" is such a Kanye thing.

4/5/26: Late Registration
Heard Em Say (3)
Touch the Sky
Gold Digger (2)
Drive Slow
My Way Home
Crack Music
Roses
Bring Me Down
Addiction
Diamonds from Sierra Leone (Remix)
We Major (1)
Hey Mama
Celebration
Gone
Diamonds from Sierra Leone
Late

4/6/26: Graduation
Good Morning
Champion
Stronger
I Wonder (1)
Good Life (4)
Can't Tell Me Nothing
Barry Bonds
Drunk and Hot Girls
Flashing Lights (2)
Everything I Am (3)
The Glory
Homecoming
Big Brother
Good Night

4/6/26: 808s
Paranoid (2)
Street Lights (1)

4/6/26: MBDTF
Dark Fantasy
Gorgeous (4)
POWER
All of the Lights (5)
Monster (3)
So Appalled
Devil in a New Dress (2)
Runaway (1)
Hell of a Life
Blame Game
Lost in the World

4/7/26: Yeezus
On Sight
Black Skinhead (1)
I Am a God
New Slaves (3)
Hold My Liquor (4)
I'm In It
Blood on the Leaves
Guilt Trip
Send It Up
Bound 2 (2)

4/8/26: TLOP
Ultralight Beam (2)
Father Stretch My Hands Pt 1 (5)
Pt 2
Famous
Feedback
Low Lights
Highlights
Freestyle 4
I Love Kanye
Waves
FML
Real Friends (6)
Wolves
Frank's Track
Silver Surfer
30 Hours (4)
No More Parties in LA (1)
Facts
Fade
St Pablo (3)

Also: Violent Crimes

Albums:
  1. TLOP
  2. LR
  3. MBDTF
  4. Graduation
  5. College Dropout
  6. Yeezus
  7. 808s

Okay so TLOP has way more crap than LR. But it also has many more glorious moments. LR is more consistently strong; it's classic all the way through. TLOP is so fragmented. But LR doesn't deliver so many amazing moments. LR only offered a few songs for this project; TLOP offered 10. So it's a question of sane classic status vs bipolar glory. LR is more subtle and measured like the sermon on the mount, TLOP is just basking like the resurrection.

So my wild card options are:
  • Heard Em Say
  • Everything I Am
  • 30 Hours
  • St Pablo

Sunday, April 12, 2026

Some things are more fun to recommend than to experience. They're like someone handing you a flyer on the street like "here, you throw this away." Dogtooth and Antichrist are fun to talk about and convince someone else to watch. Everyone has War and Peace but no one reads it.